Showing posts with label Nancy Kress. Show all posts
Showing posts with label Nancy Kress. Show all posts

Monday, April 10, 2017

Good Writing Books?



"What writing books do you recommend?"


I've been asked this question several times, but perhaps the most memorable instance was on a Sunday morning. In church. Right before the service was about to begin.

Since the timing was not conducive for this kind of discussion, it caught me off guard. As I scrambled to deliver a brief answer, I pictured the shelf on my desk where I keep important resources and considered, What books do I use most?


It's not a bad question, just a broad one, like when someone asks how to get started as a writer. (For more details on answering that question, check out this recent post.)

My mind stretched for an educated answer. I am a writer, after all, and am supposed to be able to communicate in an articulate manner. What seems like a simple question has many answers, depending on what you're looking for.

I felt a little tongue tied. Here I was, a dedicated scribe who's having trouble thinking of good writing books. But I figured I could use the setting and timing as an excuse, right?  

The first book that came to mind was The Elements of Style by Strunk and White. Other books popped up in regard to blogging, freelancing, and fiction writing, such as L. Diane Wolfe's How to Publish and Promote Your Book Now, Smart Branding for Busy Bloggers by Jennifer Brown Banks, The Emotion Thesaurus series by Angela Ackerman and Becca Puglisi, Characters, Emotion, and Viewpoint by Nancy Kress, and Plot and Structure by James Scott Bell. More titles crowded in, like Roget's Super Thesaurus, Barron's Essentials of English, and Edit Yourself  - all helpful for tutoring my teen writing students.

My final answer? The Elements of Style. Figured you couldn't go wrong with this classic, right?

After this incident, I thought about what my "non spur of the moment" answers would be. Pretty much the same, I'm thinking, but I'd probably narrow the field by asking questions like:

  • Are you looking for general writing and grammar info? 
  • Do you plan to write for children, young adults, or adults?
  • Will you write fiction or non fiction? 
  • Do you want additional info on writing for magazines, writing the novel, or about self publishing?

Once that's established, I'd suggest using this list of considerations to assist:  
  
  • Applicable Genre - A no brainer, yes, but if you're new to this it helps to narrow the search.
  • Good, down to earth content - If it isn't reader friendly, seems too technical or complex, it might be good to pass, at least for the beginning writer.
  • Reviews from readers - What's the general consensus among the reviews? Take applicable cues from them. 
  • Recommendations from writer friends - This is often the best way to find good books.
  • Endorsements from reputable writers - Does your favorite author or other respected writer endorse it? This can offer helpful clues too.

While these points might seem obvious, with so many resources now available it's easy to get overwhelmed. And let's face it, unless you're independently wealthy, there's a budget to respect as well. These items might help steer someone in the right direction.

Did I miss anything? What would you add to the list?

Has anyone asked you a similar question at an unexpected or not-so convenient moment? What are your go-to writing books and resources?

Happy writing,

Karen  


Photo credit: Free Images

Monday, May 9, 2011

Tag Line Repair

Dialogue in fiction is usually a given. It adds personality and moves action forward. A vibrant exchange between key players can make a boring scene great. 

Tag lines, though not always necessary, help the reader keep things straight. I've seen short ones; I've seen long ones. And I'm curious, what's your opinion about long tag lines? Consider the following example:

“Who's your pick to win the Super Bowl?” inquired big, tall, handsome Ned of Walter, Ned’s skinny, awkward-looking dining partner at Cattle City Steakhouse.

I am not a fan of long tag lines. I think that they can be cumbersome and intrusive. When I read, I don't want to get tangled up in them. There are other ways to add important info other than stuff it into a tag line. What do you think? How would you repair this tag line?


I'm always on the lookout for dialogue pointers. Author Nancy Kress offers her thoughts on using adverbs in her article, Who Said That?  She also addresses pacing and ways to avoid tag lines altogether. Todd Stone offers further insight in How to Edit Dialogue. 

Do you write fiction? Non-fiction? Even if you write non-fiction, writing dialogue can be a good opportunity to stretch the imagination and skills. So, tell me, how would you repair this? 

“Who's your pick to win the Super Bowl?” inquired big, tall, handsome Ned of Walter, Ned’s skinny, awkward-looking dining partner at Cattle City Steakhouse.

Rescue the reader from a lousy rendition of what's happening at the Cattle City Steakhouse. Repair this, please! :)


Blessings,
Karen


Thursday, April 14, 2011

Book Review - Characters, Emotion, and Viewpoint



Just in case you wanted to know, the Coffeehouse for Writers blog has a feature entitled  
On Our Bookshelves.  I recently shared this review there, and thought it might be of interest to
some of you. :)


Characters, Emotion, and Viewpoint                           

By Nancy Kress
Writer’s Digest Books
 
Need help with characters? I do. Since non-fiction is more my thing, I was hoping that this book would assist me with character development.  It does! Author Nancy Kress makes good on her promise to provide “Techniques and exercises for crafting dynamic characters and effective viewpoints”.


The author of sixteen novels, Kress is well versed in what makes characters tick. From defining what readers want to putting it all together, she outlines everything needed to create compelling characters. She defines how to assemble your cast of characters and put each one in their proper place. Chapter one includes a mini-bio sheet listing traits, marital status, and other important elements so brainstorming can begin immediately. I like handy tools like this –  it helps us hit the ground running, putting things into practice.

We are encouraged to “audition our players” to consider, for example, if we are genuinely interested in the character. Kress also challenges us to ask:

“Is this character or situation fresh and interesting in some new way?”

“Do I find myself thinking about him/her in odd moments…inventing bits of dialogue?”

These kinds of questions, she says, help determine whether or not a character will make the grade for a great book.

Chapters include clear how-to details on point of view, dialogue, emotion, backstory, how characters “learn”, and more. Exercises are sprinkled liberally throughout to help bring motivation, turmoil, and depth to characters. Kress covers how to develop and use humor, love, and action – including how to handle fight scenes. The appendix contains a checklist of critical character points which acts as a handy rubric to guide the process.

I enjoyed Kress’s friendly style and encouragement. I came away knowing that I had the tools to create good characters. This is a book that will remain on my shelf in the trusted resource category.    

For more Coffeehouse book reviews and other good stuff, click here.

What books are on your "Must Have" list? 

Have a wonderful weekend!

Blessings,
Karen


Image credit: bluegum  http://www.sxc.hu/photo/1187388